Composers
Henry Thacker Burleigh
1866 - 1949About
H.T. Burleigh (1866-1949) is arguably the first prominent Black composer in America. Born in Erie, Pennsylvania, on 2 December 1866, Burleigh received his first music training from his mother. After discovering Burleigh's musical talent, Elizabeth Russell, a bank messenger who was his mother's employer, gave the youth a job as a doorman at the musicales she hosted in her home. This afforded Burleigh the opportunity to hear guest performers such as Teresa Carreño and Italo Campanini. Although he had no formal training, his talent as a singer led to employment as a soloist in several Erie churches and synagogues. In 1892, at the age of twenty-six, Burleigh received a scholarship (with some intervention in his behalf from Mrs. Frances MacDowell, mother of famed American composer Edward MacDowell) to the National Conservatory of Music in New York where he studied with Christian Fritsch, Rubin Goldmark, John White, and Max Spicker. The years Burleigh spent at the Conservatory greatly influenced his career, mostly due to his association and friendship with Antonín Dvorák, the Conservatory's director. After spending countless hours recalling and performing the African-American spirituals and plantation songs he had learned from his maternal grandfather for Dvorák, Burleigh was encouraged by the elder composer to preserve these melodies in his own compositions. In turn, Dvorák's use of the spirituals "Goin' Home" and "Swing Low, Sweet Chariot" in his Symphony no. 9 in E minor ("From the New World") was probably influenced by his sessions with Burleigh. In addition, Burleigh served as copyist for Dvorák, a task that prepared him for his future responsibilities as a music editor. In 1900, Burleigh was the first African-American chosen as soloist at Temple Emanu-El, a New York synagogue, and by 1911 he was working as an editor for music publisher G. Ricordi. His success was enhanced through the publication of several of his compositions, including "Ethiopia Saluting the Colors", a collection entitled Jubilee Songs of the USA, and his arrangement of "Deep River", for which he is best remembered. The widespread success of his setting of Deep River inspired the publication of nearly a dozen more spirituals the same year, his spiritual arrangements became increasingly popular with concert soloists, and a tradition of concluding concerts with a set of spirituals was established. Burleigh's achievement in solo vocal writing is best represented by his original song cycles, Saracen Songs , Passionale, and Five Songs of Laurence Hope, considered by many to be his finest work. His instrumental output includes the unpublished Six Plantation Melodies for violin and piano, From the Southland for piano, and Southland Sketches for violin and piano. test.
Related Information
http://memory.loc.gov/diglib/ihas/loc.natlib.ihas.200035730/default.htmlWorks by Henry Thacker Burleigh
Title | Collection | Voice Type | Range | Poet |
---|---|---|---|---|
The Man In White | Medium | D4 - D5 | ||
The Prayer | Voice | C4 - F5 | Arthur Symons | |
The Prayer I Make for You | Voice | C4 - F5 | Optional Bb5 | Harold Robé | |
The Sailor's Wife | Low, High | G4 - A5 | Eb4 - F5 | Mary Stewart Cutting | |
The Soldier | Voice | D4 - G5 | Rupert Brooke | |
The Song of the Watcher | Medium | C4 - D5 | Howard Weeden | |
The Spring My Dear is No Longer Spring | Voice | F4 - Ab5 | W. E. Henley | |
The Trees Have Grown So | Voice | F4 - F5 | John Hanlon | |
The Victor | Medium | F4 - F5 | George O'Connell | |
The Way o' the World | Medium | C4 - D5 | Frank L. Stanton | |
The Young Warrier | Medium | Eb4 - Ab5 | James Weldon Johnson | |
This is Nirvana (Yussouf Song to Almona) | The Saracen Songs | High | Eb4 - G5 | Fred G. Bowles |
Thou Art Weary (Almona's song to Yussouf) | The Saracen Songs | High | Db4 - Eb5 | Fred G. Bowles |
Three Shadows | Medium, High | E4 - G5 | C4 - Eb5 | Dante Gabriel Rossetti | |
Through Love's Eternity | Medium | D4 - D5 | C. C. Stoddard | |
Through Peace to Light | Medium | Db4 - Eb5 | Adelaide Proctor | |
Thy Heart | Medium | B3 - D#5 | A.V. Williams Jackson | |
Tide | Voice | Db4 - Gb5 | Frances Bacon Paine | |
Till I Wake | Five Songs of Lawrence Hope | Voice | D# 4 - Bb5 | Lawrence Hope |
Tis Me, Oh Lord | The Spirituals of Burleigh | High | Ab4 - Eb5 | Biblical |
Two Words | Medium | C4 - D5 | Edward Oxenford | |
Under a Blazing Star | Voice | F4 - A5 | Mildred Seitz | |
Wade in De Water | The Spirituals of Burleigh | Low, High | C4 - Ab5 | A4 - C#5 | A3 - F5 | Biblical |
Waiting | Voice | E4 - G5 | Martha Gilbert Dickinson | |
Weepin' Mary | The Spirituals of Burleigh | Low, High | F4 - F5 | D4 - D5 | John 20:11 |
Were I A Star | Voice | F4 - F5 | Optional Ab5, D4 - D4 | A. Musgrove Robarts | |
Were You There? | The Spirituals of Burleigh | Low, High | Eb4 - Ab5 | C4 - Eb5 | Biblical |
When De Angels Call | Medium | C4 - D5 | Howard Weeden | |
When de Debble comes 'round | The Plantation Melodies Old and New | Voice | D4 - D5 | R. E. Phillips |
Worthwhile | Five Songs of Lawrence Hope | Voice | D4 - A5 | Lawrence Hope |
You Ask Me If I Love You | Voice | C4 - F5 | Lillian Bennett Thompson | |
You May Bury Me in De Eas' | The Spirituals of Burleigh | Low, High | F4 - G5 | F4 - F5 | 1 Corinthians 15: 52 |
You'll git dar in de mornin' | Two Plantation Songs | Medium | C4 - F5 | F.L. Stanton |
Your Eyes So Deep | Passionale | Tenor | F# 4 - G5 | James Weldon Johnson |
Your Lips are Wine | Passionale | Tenor | F# 4 - Bb5 | James Weldon Johnson |
Yours Alone | High | E4 - A5 | Edward Oxenford |