Composers

Henry Thacker Burleigh

1866 - 1949

About

H.T. Burleigh (1866-1949) is arguably the first prominent Black composer in America. Born in Erie, Pennsylvania, on 2 December 1866, Burleigh received his first music training from his mother. After discovering Burleigh's musical talent, Elizabeth Russell, a bank messenger who was his mother's employer, gave the youth a job as a doorman at the musicales she hosted in her home. This afforded Burleigh the opportunity to hear guest performers such as Teresa Carreño and Italo Campanini. Although he had no formal training, his talent as a singer led to employment as a soloist in several Erie churches and synagogues. In 1892, at the age of twenty-six, Burleigh received a scholarship (with some intervention in his behalf from Mrs. Frances MacDowell, mother of famed American composer Edward MacDowell) to the National Conservatory of Music in New York where he studied with Christian Fritsch, Rubin Goldmark, John White, and Max Spicker. The years Burleigh spent at the Conservatory greatly influenced his career, mostly due to his association and friendship with Antonín Dvorák, the Conservatory's director. After spending countless hours recalling and performing the African-American spirituals and plantation songs he had learned from his maternal grandfather for Dvorák, Burleigh was encouraged by the elder composer to preserve these melodies in his own compositions. In turn, Dvorák's use of the spirituals "Goin' Home" and "Swing Low, Sweet Chariot" in his Symphony no. 9 in E minor ("From the New World") was probably influenced by his sessions with Burleigh. In addition, Burleigh served as copyist for Dvorák, a task that prepared him for his future responsibilities as a music editor. In 1900, Burleigh was the first African-American chosen as soloist at Temple Emanu-El, a New York synagogue, and by 1911 he was working as an editor for music publisher G. Ricordi. His success was enhanced through the publication of several of his compositions, including "Ethiopia Saluting the Colors", a collection entitled Jubilee Songs of the USA, and his arrangement of "Deep River", for which he is best remembered. The widespread success of his setting of Deep River inspired the publication of nearly a dozen more spirituals the same year, his spiritual arrangements became increasingly popular with concert soloists, and a tradition of concluding concerts with a set of spirituals was established. Burleigh's achievement in solo vocal writing is best represented by his original song cycles, Saracen Songs , Passionale, and Five Songs of Laurence Hope, considered by many to be his finest work. His instrumental output includes the unpublished Six Plantation Melodies for violin and piano, From the Southland for piano, and Southland Sketches for violin and piano. test.

Related Information

http://memory.loc.gov/diglib/ihas/loc.natlib.ihas.200035730/default.html

Works by Henry Thacker Burleigh

Title Collection Voice Type Range Poet
The Man In White Medium D4 - D5
The Prayer Voice C4 - F5 Arthur Symons
The Prayer I Make for You Voice C4 - F5 | Optional Bb5 Harold Robé
The Sailor's Wife Low, High G4 - A5 | Eb4 - F5 Mary Stewart Cutting
The Soldier Voice D4 - G5 Rupert Brooke
The Song of the Watcher Medium C4 - D5 Howard Weeden
The Spring My Dear is No Longer Spring Voice F4 - Ab5 W. E. Henley
The Trees Have Grown So Voice F4 - F5 John Hanlon
The Victor Medium F4 - F5 George O'Connell
The Way o' the World Medium C4 - D5 Frank L. Stanton
The Young Warrier Medium Eb4 - Ab5 James Weldon Johnson
This is Nirvana (Yussouf Song to Almona) The Saracen Songs High Eb4 - G5 Fred G. Bowles
Thou Art Weary (Almona's song to Yussouf) The Saracen Songs High Db4 - Eb5 Fred G. Bowles
Three Shadows Medium, High E4 - G5 | C4 - Eb5 Dante Gabriel Rossetti
Through Love's Eternity Medium D4 - D5 C. C. Stoddard
Through Peace to Light Medium Db4 - Eb5 Adelaide Proctor
Thy Heart Medium B3 - D#5 A.V. Williams Jackson
Tide Voice Db4 - Gb5 Frances Bacon Paine
Till I Wake Five Songs of Lawrence Hope Voice D# 4 - Bb5 Lawrence Hope
Tis Me, Oh Lord The Spirituals of Burleigh High Ab4 - Eb5 Biblical
Two Words Medium C4 - D5 Edward Oxenford
Under a Blazing Star Voice F4 - A5 Mildred Seitz
Wade in De Water The Spirituals of Burleigh Low, High C4 - Ab5 | A4 - C#5 | A3 - F5 Biblical
Waiting Voice E4 - G5 Martha Gilbert Dickinson
Weepin' Mary The Spirituals of Burleigh Low, High F4 - F5 | D4 - D5 John 20:11
Were I A Star Voice F4 - F5 | Optional Ab5, D4 - D4 A. Musgrove Robarts
Were You There? The Spirituals of Burleigh Low, High Eb4 - Ab5 | C4 - Eb5 Biblical
When De Angels Call Medium C4 - D5 Howard Weeden
When de Debble comes 'round The Plantation Melodies Old and New Voice D4 - D5 R. E. Phillips
Worthwhile Five Songs of Lawrence Hope Voice D4 - A5 Lawrence Hope
You Ask Me If I Love You Voice C4 - F5 Lillian Bennett Thompson
You May Bury Me in De Eas' The Spirituals of Burleigh Low, High F4 - G5 | F4 - F5 1 Corinthians 15: 52
You'll git dar in de mornin' Two Plantation Songs Medium C4 - F5 F.L. Stanton
Your Eyes So Deep Passionale Tenor F# 4 - G5 James Weldon Johnson
Your Lips are Wine Passionale Tenor F# 4 - Bb5 James Weldon Johnson
Yours Alone High E4 - A5 Edward Oxenford