Composers
Henry Thacker Burleigh
1866 - 1949About
H.T. Burleigh (1866-1949) is arguably the first prominent Black composer in America. Born in Erie, Pennsylvania, on 2 December 1866, Burleigh received his first music training from his mother. After discovering Burleigh's musical talent, Elizabeth Russell, a bank messenger who was his mother's employer, gave the youth a job as a doorman at the musicales she hosted in her home. This afforded Burleigh the opportunity to hear guest performers such as Teresa Carreño and Italo Campanini. Although he had no formal training, his talent as a singer led to employment as a soloist in several Erie churches and synagogues. In 1892, at the age of twenty-six, Burleigh received a scholarship (with some intervention in his behalf from Mrs. Frances MacDowell, mother of famed American composer Edward MacDowell) to the National Conservatory of Music in New York where he studied with Christian Fritsch, Rubin Goldmark, John White, and Max Spicker. The years Burleigh spent at the Conservatory greatly influenced his career, mostly due to his association and friendship with Antonín Dvorák, the Conservatory's director. After spending countless hours recalling and performing the African-American spirituals and plantation songs he had learned from his maternal grandfather for Dvorák, Burleigh was encouraged by the elder composer to preserve these melodies in his own compositions. In turn, Dvorák's use of the spirituals "Goin' Home" and "Swing Low, Sweet Chariot" in his Symphony no. 9 in E minor ("From the New World") was probably influenced by his sessions with Burleigh. In addition, Burleigh served as copyist for Dvorák, a task that prepared him for his future responsibilities as a music editor. In 1900, Burleigh was the first African-American chosen as soloist at Temple Emanu-El, a New York synagogue, and by 1911 he was working as an editor for music publisher G. Ricordi. His success was enhanced through the publication of several of his compositions, including "Ethiopia Saluting the Colors", a collection entitled Jubilee Songs of the USA, and his arrangement of "Deep River", for which he is best remembered. The widespread success of his setting of Deep River inspired the publication of nearly a dozen more spirituals the same year, his spiritual arrangements became increasingly popular with concert soloists, and a tradition of concluding concerts with a set of spirituals was established. Burleigh's achievement in solo vocal writing is best represented by his original song cycles, Saracen Songs , Passionale, and Five Songs of Laurence Hope, considered by many to be his finest work. His instrumental output includes the unpublished Six Plantation Melodies for violin and piano, From the Southland for piano, and Southland Sketches for violin and piano. test.
Related Information
http://memory.loc.gov/diglib/ihas/loc.natlib.ihas.200035730/default.htmlWorks by Henry Thacker Burleigh
Title | Collection | Voice Type | Range | Poet |
---|---|---|---|---|
He's Jus' De Same To-Day | The Spirituals of Burleigh | Low, High | F4 - F5 | D4 - D5 | Biblical |
Hear De Lambs A-Cryin' | The Spirituals of Burleigh | High | E4 - D5 | Biblical |
Hearts | Medium | D4 - F5 | C. M. Wilmerding | |
Heav'n, Heav'n | The Spirituals of Burleigh | High | F4 - D5 | Eb4 - C5 | Biblical |
Heigh-Ho! | Medium | Bb3 - D5 | James E. Campbell | |
Her Eyes Twin Pools | Passionale | Tenor | G4 - G5 | James Weldon Johnson |
High-Ho! | Voice | Db4 - F5 | J.E. Campbell | |
His helmet's blaze (Almona's Song of Yussouf to Hassan) | The Saracen Songs | High | Gb4 - A5 | Fred G. Bowles |
His Word is Love | Medium | E4 - D5 | Fred G. Bowles | |
I doan' wan' fu't' stay hyeah no longah | The Plantation Melodies Old and New | Voice | C4 - Eb5 | R. E. Phillips |
I doan' want fu' t' stay hyea no longah | The Plantation Melodies Old and New | Medium | C4 - Eb5 | R. E. Phillips |
I Don't Feel No-Ways Tired | The Spirituals of Burleigh | High | A3 - E5 | Hebrews 11:14, 16 |
I Got A Home In'a Dat Rock | The Spirituals of Burleigh | Low, High | D4 - F5 | C4 - Eb5 | Biblical |
I hear His Footsteps, Music Sweet (Almona's Song of Delight) | The Saracen Songs | High | D#4 - F5 | Fred G. Bowles |
I Know De Lord's Laid His Hands On Me | The Spirituals of Burleigh | Low, High | C4 - F5 | Bb4 - Eb5 | Matthew 19:15, Acts 8:17, Acts 19:6 |
I Remember All | Medium | C4 - Eb5 | Arthur Symons | |
I Stood on de Ribber ob Jerdon | The Spirituals of Burleigh | Low, High | Eb4 - Eb5, Optional Ab5 | C4 - C5, Optional F5 | Biblical |
I Wand To Die While You Love Me | Medium | C4 - E5 | Georgia Douglas Johnson | |
I Want To Be Ready | The Spirituals of Burleigh | Low, High | Bb4 - Eb5 | Revalations 21:16, Acts 2 |
I'll be dar to Meet Yo' | Two Phantom Songs | Medium | D4 - F5 | Beverly Garrison |
I've Been In De Storm So Long | The Spirituals of Burleigh | High | D4 - D5 | Biblical |
If Life Be A Dream | Medium | D4 - E5 | Frank L. Stanton | |
If you but knew | Three Songs | Medium | B3 - E5 | |
In Summer | Medium | G4 - G5 | Josephine Nichols | |
In the Great Somewhere | Medium | Eb4 - Eb5 | Harold Robé | |
In The Wood Of Finvara | Medium | Cb4 - F5 | Arthur Symons | |
It Was Nothing But A Rose | Medium | Bb3 - Eb5 | ||
Jean | Low, Medium, High | Eb4 - G5 | Db4 - F5 | Bb3 - D5 | Frank L. Stanton | |
John's Gon Down on De Island | The Spirituals of Burleigh | High | Eb4 - F5 | Revalation 1 |
Joshua Fit De Battle ob Jericho | The Spirituals of Burleigh | High | Db4 - E5 | Joshua 6 |
Just a wearin' for you | Medium | F4 - G5 | Frank L. Stanton | |
Just Because | Medium | D4 - Eb5 | ||
Just my Love and I! | Medium | C4 - G5 | Louise Alston Burleigh | |
Just You | Voice | C4 - F5 | Madge Marie Miiller | |
Kashmiri Song | Five Songs of Lawrence Hope | Voice | Eb4 - A5 | Lawrence Hope |
Keep a good grip on de hoe | Two Phantom Songs | Medium | A3 - E5 | Howard Weeden |
Lawd, Watcha' Gonna Do Wid Me | Medium | Eb4 - G5 | J.C. Johnson | |
Let Us Cheer The Weary Traveler | The Spirituals of Burleigh | High | Db4 - Eb5 / F5 | Biblical |
Life | Three Songs | Medium | C4 - E5 | John Boyle O'Reilly |
Listen To Yo' Gyarden Angel | Medium | Eb4 - F5 | Robert Underwood Johnson | |
Little Brother of Mine | Medium | F4 - F5 | Walter H. Brown | |
Little Child of Mary | Low | D4 - D5 | ||
Little David Play On Your Harp | The Spirituals of Burleigh | Low, High | Eb4 - F5 | Optional Ab5, C4 - D5 | Optional F5 | Biblical |
Little Mother of Mine | High | Ab4 - Ab5 |Optional C6, F4 - F5 | Optional A5 | Walter H. Brown | |
Love found the Way | High | F4 - Ab5 | Jesse Winne | |
Love Watches | Medium | D4 - G5 | George F. O'Connell | |
Love's Dawning | Medium | C4 - F5 | Louise Alston Burleigh | |
Love's Garden | High | Eb4 - Ab5 | M. Heuchling | |
Love's Likeness | Medium | Eb4 - G5 | Madge Marie Miller | |
Love's Pleading | Medium | B3 - E5 | Leontine Stanfield |