Robert Owens
1925 - 2017
About
Robert Owens, a native of Denison, Texas, was known as one of the leading names in the late 20th and early 21st century within the genre of African American art song. He gained notoriety as a concert pianist, vocal accompanist, composer, and stage and television director. Learning to play the piano at a young age from his mother, Owens composed his first piano and art songs in his high school years and continued to develop his talent under Genevieve Longrus and Dora O’Neill.
After his time in the military, he continued his education in Europe and studied with various professors such as Jules Genty, Alfred Cortot, and Grete Hinterhofer. Owens briefly came back to America to pursue a teaching position in Georgia. It was during this time that he was introduced to the African American poet Langston Hughes and wrote two song cycles based on his poetry, Silver Rain and Tearless. Once back in Europe, Robert Owens settled in Hamburg, Germany and resumed composing and started acting to support his career. At the end of his life, the composer still considered Hamburg his home, however he occasionally returned to the States as an artist-in-residence at various educational institutions such as University of Michigan and University of Wisconsin.
Related Information
https://artsongalliance.org/composers/robert--owens
Works by Robert Owens
| Title |
Collection |
Voice Type |
Range |
Poet |
|
A complaint
|
Four Motivations, Op. 21
|
Baritone
|
D3 - E4
|
William Wordsworth
|
|
A Dream Within a Dream
|
The Robert Owens Songbook
|
Voice
|
D4 - B5
|
Edgar Allen Poe
|
|
A Dream Within a Dream
|
Three Songs be E. A. Poe, Op. 14
|
Voice
|
D4 - B5
|
Edgar Allen Poe
|
|
A House in Taos
|
Mortal Storm, Op. 29
|
Baritone
|
B2 - D4
|
Langston Hughes
|
|
A Song
|
3 Songs, Op. 31
|
Voice
|
G4 - C6
|
Paul Laurence Dunbar
|
|
Amazing Grace
|
The Robert Owens Songbook
|
Voice
|
D4 - D5 (opt. G5)
|
John Newton
|
|
Au Cabaret-Vert
|
Rimbaud Cabaret, Op. 101
|
Countertenor
|
A3 - E5
|
Arthur Rimbaud
|
|
Beale Street
|
Border Line, Op. 24
|
Voice
|
A3 - D5
|
Langston Hughes
|
|
Border Line
|
Border Line, Op. 24
|
Voice
|
F4 - D5
|
Langston Hughes
|
|
Bright Be the Place of Thy Soul
|
Stanzas for Music: Four Songs for Tenor and Piano
|
Tenor
|
E3 - F#4
|
Lord Byron
|
|
Burden
|
Border Line, Op. 24
|
Voice
|
C4 - Eb5
|
Langston Hughes
|
|
Calvalry
|
A Cycle of Six Negro Spirituals for Bass and Piano
|
Bass
|
B2 - D4
|
Biblical
|
|
Carolina Cabin
|
Silver Rain, Op. 11
|
Tenor
|
D3 - G4
|
Langston Hughes
|
|
Chippy
|
Tearless Op. 9
|
Baritone
|
Ab2 - Db4
|
Langston Hughes
|
|
Circles
|
Border Line, Op. 24
|
Voice
|
A3 - C#5
|
Langston Hughes
|
|
Convent
|
Border Line, Op. 24
|
Voice
|
A3 - C#5
|
Langston Hughes
|
|
Could I but ride indefinite
|
Four Motivations, Op. 21
|
Baritone
|
C3 - Eb 4
|
Emily Dickinson
|
|
Dancers
|
Tearless Op. 9
|
Baritone
|
D3 - Db4
|
Langston Hughes
|
|
De Camptown Races
|
The Robert Owens Songbook
|
Voice
|
D4 - D5
|
Stephen Foster
|
|
De Camptown Races
|
Stephen Foster Arrangements
|
Voice
|
D4 - D5
|
Stephen Foster
|
|
Dear Friends and Gentle Hearts
|
The Robert Owens Songbook
|
2 Sopranos, Alto, Baritone
|
G4 - A5 | C4 - E5 | A3 - B4 | G2 - C4
|
Countee Cullen
|
|
Deep River
|
The Robert Owens Songbook
|
Voice
|
Bb2 - F4
|
Traditional
|
|
Der verliebte Reisende
|
3 Lieder, Op. 19
|
Mezzo-Soprano
|
Bb3 - F5
|
Joseph von Eichendorff
|
|
Desert
|
Border Line, Op. 24
|
Voice
|
G3 - D5
|
Langston Hughes
|
|
Desire
|
Desire (Song Cycle for Tenor and Piano)
|
Tenor
|
E3 - F4
|
Langston Hughes
|
|
Die Beiden
|
Three Lieder, Op. 47
|
Voice
|
G3 - D5
|
Hugo von Hofmannsthal
|
|
Die Nacht
|
3 Lieder, Op. 19
|
Mezzo-Soprano
|
A3 - D5
|
Joseph von Eichendorff
|
|
Dream
|
Desire (Song Cycle for Tenor and Piano)
|
Tenor
|
F3 - G4
|
Langston Hughes
|
|
Dustbowl
|
Border Line, Op. 24
|
Voice
|
A3 - E5
|
Langston Hughes
|
|
Eine Geige in den Gärten
|
3 Lieder for Baritone, Op. 20
|
Baritone
|
Ab2 - Eb4
|
Hermann Hesse
|
|
Eldorado
|
The Robert Owens Songbook
|
Voice
|
A2 - B3
|
Edgar Allen Poe
|
|
Eldorado
|
Three Songs be E. A. Poe, Op. 14
|
Voice
|
A2 - B3
|
Edgar Allen Poe
|
|
Elisabeth
|
The Robert Owens Songbook
|
Voice
|
B3 - D5
|
Herman Hesse
|
|
Elisabeth
|
Two Herman Hesse Songs
|
Voice
|
B3 - D5
|
Herman Hesse
|
|
Euclid Alone...
|
The Robert Owens Songbook
|
Countertenor
|
D4 - A5
|
Edna St. Vincent Millay
|
|
Euclid Alone...
|
Two Songs by Edna St. Vincent Millay
|
Countertenor
|
D4 - A5
|
Edna St. Vincent Millay
|
|
Exits
|
Tearless Op. 9
|
Baritone
|
Ab2 - Db4
|
Langston Hughes
|
|
Faithful One
|
Mortal Storm, Op. 29
|
Baritone
|
C3 - D4
|
Langston Hughes
|
|
For a Poet
|
Three Countee Cullen Songs, Op. 27 for High Voice and Piano
|
High
|
F4 - A5
|
Countee Cullen
|
|
For dead mimes
|
Heart on the Wall (5 Songs for Soprano and Piano)
|
Soprano
|
G4 - A5
|
Langston Hughes
|
|
Fragments
|
Border Line, Op. 24
|
Voice
|
Bbb3 - Eb5
|
Langston Hughes
|
|
Fremde Stadt
|
3 Lieder for Baritone, Op. 20
|
Baritone
|
Ab2 - C4
|
Hermann Hesse
|
|
From the Book of Ruth, Op. 26
|
The Robert Owens Songbook
|
Voice
|
C4 - B5
|
Biblical
|
|
From The Dark Tower
|
Three Countee Cullen Songs, Op. 27 for High Voice and Piano
|
High
|
E4 - G5
|
Countee Cullen
|
|
Fulfillment
|
Silver Rain, Op. 11
|
Tenor
|
Eb3 - G5
|
Langston Hughes
|
|
Genius Child
|
Mortal Storm, Op. 29
|
Baritone
|
B2 - F4
|
Langston Hughes
|
|
Gifts
|
Border Line, Op. 24
|
Voice
|
B3 - D5
|
Langston Hughes
|
|
Girl
|
Heart on the Wall (5 Songs for Soprano and Piano)
|
Soprano
|
D4 - A5
|
Langston Hughes
|
|
Go on, Brother
|
A Cycle of Six Negro Spirituals for Bass and Piano
|
Bass
|
Bb2 - Eb4
|
Biblical
|
|
Grave Yard
|
Border Line, Op. 24
|
Voice
|
G3 - B4
|
Langston Hughes
|
| Title |
Work |
Instrumentation |
Level |
Number of Movements |
Accompanied |
Size |
Duration Range |
|
California Sonata
|
|
Piano
|
|
1
|
No
|
Solo
|
|
|
Carnival
|
|
Piano
|
|
8
|
No
|
Solo
|
|